Geometry in Persian Rugs

Geometrically patterned Persian carpets, woven by nomadic tribes, are decorated with linear elements composed of vertical, horizontal and diagonal lines, and are formed by a repetition of the same motif. The motif of a carpet can be used to determine the particular tribe, or place of origin.

A pattern, whether in nature or art, relies upon three characteristics: a unit, repetition, and a system of organization.

Symmetry is a fundamental organizing principle in nature and in culture. The analysis of symmetry allows for understanding the organization of a pattern, and provides a means for determining both invariance and change.

By varying relationships within patterns where symmetry is expected, otherwise predictable and repetitive patterns may be transformed into great works of art.

These variations in design occur in the two main parts of the rug: The field (or ground and the borders, which frame the interior (the field of the carpet). Designs fall into two different categories: curvilinear and rectilinear.

The most common motif for Persian rugs, especially the larger ones, is a large central medallion. Yet, even if two carpets have basically the same design, no two medallions are ever exactly the same. Some experts believe that the medallion designs stems from the very religious nature of the weavers and that their inspiration probably came from the artwork and patterns of domes of the mosques.

Symbols and motifs in Persian Rugs

Meanings of Colors in Persian Rugs

Persian Rug Patterns Classifications and Characteristics

1 – Historic Monuments & Islamic Buildings:
Inspired by tile-work, structure and geometric shapes of ancient buildings.
Some Sub Patterns:Sheikh Lotfollah, Mehrabi Kufi, Kabood Mosque, Sheikh Safi Shrine, Zire Khaki

2 – Shah Abbassi:A special flower, known as Shah Abbassi, set-off by other floral persian rug patterns and leaves
Some Sub Patterns:Allover, Medallion, Tree, Animal, Sheikh Safi, Embellished Shah Abbassi

3 – Spiral:Spiraling branches around leave. The end of each branch splits to resemble the jaws of a dragon
Some Sub Patterns:Allover Spiral, Interconnected Spiral, Broken Spiral, Medallion Spiral

4 – Allover:All parts of pattern are interconnect usually drawn without the designers hand ever being lifted
Some Sub Patterns:Khatai, Interconnected, Pomegranate Flower, Animal, Twisted Branch, Medallion

5 – Derivative:Patterns of neighboring regions Similar to persian rug patterns originally woven in Persia
Some Sub Patterns:Afghani, Caucasian, Gobelin

6 – Interconnected (Bandi):A small piece of design is repeated and connected throughout the carpet.
Some Sub Patterns:Ivy, Katieh, mudbrick, diamond, Tree, Milk, Sugar, armlet, cedar, Bakhtiari, Majlessi, Rope

7 – Paisley:Head-bent paisley (common in Indian and Iranian patterns)
Some Sub Patterns:Tufted, Deer Horn, Termeh, Saraband, Kherghei, Isfahan Pencase, Kordestani, Eight-bush

8 – Tree:Distinctive for their close resemblance to natural tree forms
Some Sub Patterns:Animal, Green Field, Panel, Cedar, Vase

9 – Torkeman (Bokharas):Geometrical shapes & broken lines. (usu. derived from the weavers imagination, not a drawing)
Some Sub Patterns:Gabbeh, Yamouti, Comb, Ghazel Gos, Akhal, Four-Panel, Saddlebag, Spoon

10 – Hunting Ground:Life-like animals
Some Sub Patterns:Tree, Panel, Medallion, Allover

11 – Panel:Multisided panel motif
Some Sub Patterns:Spiral, Koran, Column

12 – European Flower:Original Persian designs with roses in light and dark colours
Some Sub Patterns:Rose, Bijar, Mostowfi, Panel, Bouquet, Rose and Nightingale

13 – Vase:A single large vase, or a smaller vase repeated throughout the carpet
Some Sub Patterns:Khatai, Two-Way, Mehrabi, Allover, Chain, Haji Khanom, Repeate, Scar Medallion, One-Way

14 – Intertwined Fish:Originally a product of nomadic tribes and enriched by modern designers. Intertwined fish.
Some Sub Patterns:Herat, Farahan, Beehive, Senneh, Kurdestan, Tiny, Fragmented

15 – Mehrab:Representation of the place in a mosque, where the prayer leader stands. Ornamented with pillars, chandeliers & floral persian rug patterns
Some Sub Patterns:Tree, Vase-Column, Chandelier, Vase, Landscape

16 – Striped (Moharramat):Repeated stripes running the length of the carpet, each stripe with it’s own motif and colour
Some Sub Patterns:Overall Pencase, Tiny Flower (one background colour, Paisley (multiple background colours)

17 – Geometrical:Lines, and geometrical shapes (polygons, etc.)
Some Sub Patterns:Connected panel, Medallion, Striped, Scarf Medallion, Plain Ground, Khatai, Star (Mosaic)

18 – Tribal:Oldest & most original persian rug patterns. Simple creations of tribal imagination, inspired by natural surroundings
Some Sub Patterns:Heibatloo, Ghashghai Paisley, Afshari, Khatouni, Ardabil, Mazlaghan, Khamseh, Saveh, Tafresh

19 – Composites:A composite of two or more of the above patterns

Some Sub Patterns:Twisted Branch Medallion, Chanin Medallion, Interconnected Vase & Spiral, Green Field, etc

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Heriz rug weavers often make them in geometric, bold patterns with a large medallion dominating the field. Such designs are traditional and often woven from memory. Similar rugs from the neighbouring towns and villages of the Heriz region are Afshar, Heris, Mehraban, Sarab, Bakhshaish, and Gorevan. [citation needed] The grades of these rugs are primarily based on village name. Serapis, for example, have been considered the finest grade of Heriz since the beginning of the 20th century.

Heriz rugs are of coarse construction. The rugs range from 30 kpsi on the low end to 100–110 kpsi on the high end. It is rare to see a rug over 100 kpsi that would look like an authentic Heriz unless it is an antique silk Heriz.

The rugs are famed for their hardwearing and durable qualities, some of the toughest rugs you will find and are extremely popular with modern interiors. The wool used is of a high quality and despite its durability it is surprisingly soft to the touch. Design is tribal and tends to geometrically adapt versions of certain Tabriz patterns; they have an eight-sided geometric medallion in the center, usually surrounded with lighter earthly and rustic tones. Heriz rugs are medium to large in size, The rugs are charming and easy on the eye with a balanced natural colour scheme which improves with age, increasing the value of the rug as it gets older. Antique Heriz rugs are treasured and highly sought after by enthusiasts and antique-dealers alike.

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